New YouTube Video Trailers

Today my time (May 31st, 2019) Devil In The Wind goes live online at 9:00 (which is GMT +10:00).

To mark the occasion, I’m pleased to have scheduled for release this morning not one, but two new video readings:

From Devil In The Wind:

evidence to the commission of enquiry: the warning

From Small Town Kid:

sweet maureen

 

 

 

 

 

 

 

 

 

 

Amazon

 

I do hope you enjoy watching these videos. I feel confident in advising that you are unlikely to have seen or read poetry like this anywhere else than right here on my poetry pages, so make sure to grab a copy of an e-book or paperback.

Feedback and reviews are very important to me and all Indie writers. Please don’t hesitate to let me and the world know your reactions.

Thank you.

~

Before Black Saturday #03. The bushfires of 2003

In the lead up to release of the Devil in the Wind poetry collection a little later in the year, here is the third of my poems about the savage bushfires we experienced in 2003.

he’s been wearing yellow
and a helmet
for about nine days

We call these men and women ‘Fire-ies’ in our typical shorthand vernacular.

Victoria and Australia have a long history of reliance on Volunteer Firefighters to manage the fires that happen each Summer season in the rural and remote areas away from the cities and the larger towns, where salaried firemen operate.

In recent years, the towns have extended and the bush has shrunk. The Volunteers are diminished in number, and the fires are allowed to burn.

We attempt to steer wildfires now, not put them out.

When I was a teenager, I helped to do what they call ‘mopping up’ for one fire that occurred in the same area as these 2003 fires – Mt Pilot, near Chiltern.

A knapsack on my back, and clambering up and down what seemed like mountains, but were in reality modest hills. Such hard work! At the end of a shift, we were fed the triangle sandwiches made by the Ladies Auxiliary, and just wanted to have a bath, or to sleep.

… you have to stop sometimes
try to chew a sandwich triangle
take a drink that isn’t flavored
by eucalyptus burning

When you see a man in yellow, lying on the ground, exhausted, you can know what he has been doing, with great certainty. He has …

… run for life from flames the wind had leaping
returned again to hold the line
to let evacuees make good
run again

returned

And you can know, with that same certainty, that the next thing he will do is stagger back to the truck, because the fire continues to call, and it is always time to be moving.

portrait of a man in yellow

he looks straight ahead
but I don’t think he can see anything
his eyes are too much of water
a little out of sync
and the dirty soot and scorch
stained on his face and hands
tell all that anyone need know

he’s been wearing yellow
and a helmet
for about nine days
stumbled now to a two-hour break
because you have to stop sometimes
try to chew a sandwich triangle
take a drink that isn’t flavored
by eucalyptus burning

stretched out on the ground
the grass is enough for a pillow
he doesn’t notice
doesn’t care
right away he’s sleeping

for he has aimed the hose
and beaten with a dampened sack
run for life from flames the wind had leaping
returned again to hold the line
to let evacuees make good
run again
returned

you cannot countermand an act of god
you can only buy some time
and he has spent hard
given almost all he has
in a pool of sweat and tears
each aimed at a hot lick of flame

the effort may have blackened
some part of his soul
and he can’t quite remember
what it is like
to feel entirely human

but two hours have already passed
the horn is blaring
another fire fighting implement is ready
to take position
at one more place of heat and flame
and driving wind

so he gathers together his pieces
takes a rattled breath and cough
to clear the throat
then stands and staggers
to the truck
it’s time to be moving

~

the song of the end (of winter) – A discussion of inspirations.

At times, the structure of a poem can take a range of forms, and arise from an array of potential inspirations.

This particular poem is drawn from reading about dreams and the movement of air (Bachelard – Air and Dreams), but it starts with a voice, external to the narrator.

come
to me
I am your singer

I am your song

This is the voice of awakening from a dream. Later we find that it is also the call of a bird.

The bird is Spring.

The sleep we are waking from is Winter.

sing
with me

The voice is insistent. It calls us to wake, and to come alive.

It wants us to be as one, with the newness and renewal of Spring. And gradually the answering voice emerges …

I will sing

… from the depths of Winter sleep.

Our voice is found, and we sing.

It is a new season.

goodbye
old winter

~~~

the song of the end (of winter)

come
to me
I am your singer

I am your song

it has been
a long winter

come
raise your eyes

sing
with me

yes
it’s been a long winter

rain

rain
there has been snow

sing
sing with me

such a weighty burden
of weariness
fell
with each fresh coating
of new frost

come along
lift your head

all I want
is to sleep
is to slumber on
through the grey

all through
the short light
that is winter

now
this bird

sing

raise yourself
into the new light
and sing

this chirping bird
sings of light
and sun
that is come again

a resurrection
of
spirit

sing

I will sing

sing along

sing along
with you

perhaps
that was the last
of old winter

the bird

sing …

sing …

the bird
perhaps
is more aware

perhaps it knows
more than me

more than me

sing along

goodbye
old winter

~

Poem #490 from a series of poems drawn from the imagination and collected as: a Bachelard reverie.

Before Black Saturday #02. The bushfires of 2003

In the lead up to release of the Devil in the Wind poetry collection a little later in the year, here is the second of my poems about the savage bushfires we experienced in 2003.

Mt Buffalo 30/01/2019

… the heat rises…
from Perth
across the Nullarbor
until Adelaide
then through Bordertown …

it was always my impression that the weather we experienced in the South Eastern corner of Australia came to us from across the continent, travelling east to west to get here, rather than down from the North, although that pattern seems to have changed in recent years, with very evident graphical evidence on the weather charts of weather trending down to us from the upper portions of the continent in Queensland, the Northern Territory and Western Australia.

In some ways, these impressions of weather are proven false, even in the writing of the poem, which describes an aeroplane journey from East to West, tracking the effects of bushfire all the way.

… we inhaled the acrid leftover taste
last remains transported in smoke
as we left the ground

For the most part, civilian onlookers experience bushfires as images on television, or news reports on the radio. Perhaps billows of smoke in the distance.

I have a vivid recall of becoming terrified by the potency of the images that I saw on the television, that year. In particular, wildfires savaged the outskirts of our capital city, Canberra, and the ferocity of driven embers and licking flames was a harbinger of things to come, and has remained etched in my mind ever since.

That year, I flew from Melbourne to Adelaide at the height of the fires and through a thousand kilometers of journeying, a smoke cloud led the way, from point to point.

that dirty brown that is distinction
from mere cloud
unbroken to the long away
of the horizon

 There is a cruel and imperious majesty in the power of wildfire. Enough to bring me to prayer and supplication in support of a cool change to blow like a frigid wrath as a kindness of weather, from the west.

The poem mentions temperature extremes of 41 degrees and 44 degrees. On Black Saturday in 2009, we experienced consecutive days of 46 degrees. This year (2019) we seem to live in the forty degree range, with a peak so far of 45.6 degrees.

As I write, Tasmania is burning.

weather from the West

we get our weather from the West
the heat rises there
the cool descends
from Perth
across the Nullarbor
until Adelaide
then through Bordertown

to claim the chequerboard of spaces
from the Murray in the North
inland over the Great Divide
to the Bay
to the ocean

~

it is 1,000k
from the place that claims me
to Adelaide
a mere moment
and a time change
through the skies

we inhaled the acrid leftover taste
last remains transported in smoke
as we left the ground

Victoria is burning
and the dead ash
the loose particle-debris
infiltrated even the metallic lungs
of an aeroplane

and when at last the air
seemed clean enough again
to inspire
it stretched below us
that dirty brown that is distinction
from mere cloud
unbroken to the long away
of the horizon
1,000k of ash
spread smooth to catch us
should we perhaps to fall
before arrival

~

for two long days
the temperature has risen
41C     44C
the weather of the west

I feel it on my skin
I picture it
as a magnifier of flame
incendiary to the dry grass
and brittle bracken
intensifying the cruelties of endurance
adding ash and char
to fill the whole of the sky
to suck dry any foolish last-hopes

but today there is change

true
the wind will not be helpful
but it is cool
with the phantom smell
of a few fat droplets
striking the dusted ground
only so very few
but above all
cool

and now I am thinking
if truly we get our weather
from the West
then god speed this chill blast
these handful wet splatter-drops
may they pass
like a frigid wrath
from here
in the West of weather
to home

~

Before Black Saturday #01. The bushfires of 2003

and now it is Mount Buffalo in the air
I can taste it

I’m currently working to bring to life a collection of Bushfire poetry called Devil in the Wind – stories and voices – arising from our disastrous Black Saturday fires of 2009. February 2019 will see the 10th year commemoration. I’ll talk and write more about that in the weeks leading up to April/May 2019, when I hope to have final proofs in my hands and be ready to go with it.

Victoria (Australia) has always had hot fires, though, and before the 2009 firestorm we had a very severe fire season 2003.

My parents told me, and I saw for myself when I visited the town from Melbourne where I was living at the time, that in the evenings they could see the flames rising up over the hills of the Beechworth Gorge each night. Far too close to home.

from the house on Last Street
you can see naked flame
glowing crown-like across tree-tops
red-licking toward sky
bedevilled crimson

The smoke was thick enough to affect breathing, and between the heat and anxiety emanating from the threat, the township (and surrounds) became a very anxious locality.

Hundreds of firefighters and their implements – great big red trucks and water carriers, and lord only knows what equipment, all descended on the township and its surrounds.

Imagine, if you can, the task of feeding, in shifts, hundreds of men either just returning or just about to attend the front lines of a firefight.

Accommodation.

Sanitary facilities.

Fuel.

A logistical wonder, and yet it is achieved anew every time there is a call out.

My first bushfire inspired poems were written in reaction to those 2003 fires, tinged by the worry that comes with being at a distance from the action, while loved ones and everything that is familiar, are under threat.

my childhood
is on fire

In the weeks leading up to April finalization of the Devil in the Wind collection, I’m planning to post the poems and chat a little about the circumstances and my experiences leading to what was written.

There is only a handful of poems, so the series will be time-limited.

Please feel free to join in a little conversation, and share your own experiences, if you wish.

~

#1 Victoria a-flame

and now it is Mount Buffalo in the air
I can taste it

Victoria is an inferno and the remnants
from an acreage devoured
have shrouded the city
like a foul smelling blanket
that is the remnant of land
of all that is good
gone
black and dying

and in the town where I grew
the hills and valleys are alight

from the house on Last Street
you can see naked flame
glowing crown-like across tree-tops
red-licking toward sky
bedeviled crimson

embers on the rise
float closer
maybe near enough to singe
the cricket pitch
where Zim Evans batted
while I bowled
and I don’t think
it can ever be
the way it was

my childhood
is on fire

it is in the taste
of my air

~

Rainforest Writing Retreat – 2019

RWR motif.jpg

Just a little shout out for the Rainforest Writing Retreat, which I attended last May (2018).

It’s a live-in retreat in a simply magnificent setting, with a series of masterclasses and around 50 attendees maximum.

I’m informed there are only a few places left so I thought I’d give a plug here, because I owe this Retreat.

It was my attendance at the Retreat that persuaded me that the time was right to transition from writer to author and that the tools needed to help me achieve the transition were available, professional and affordable.

Find out about this year’s retreat at their website, here.

oreillys

The above picture is the view from the accommodation units.

~

On inspiration and structure in writing a poem today.

I found myself in contemplation this morning over my own experience of the ways in which a poem comes about.

While I think the answer to this contemplation might well be a movable feast, this morning’s conclusion was that much of the process comes down to two things: inspiration and structure.

Inspiration

It goes without saying, I think, that inspiration has to be involved in any artistic creation – visual, textual, or written. So, exactly what served today as an inspiration for a poem?

In recent times, I have been very focused on clouds and the sky as subjects for written work. In photographing clouds and subsequently writing poems arising from studying the pictures I have come to associate the sky with images in my mind of an ocean. Sometimes it has been impossible for me to recognise clouds because the image I ‘saw’ was of ocean and waves.

One of the first places I look now for inspiration is up at the sky.

The raw sky of January 25th, 2019

Nothing but clear blue and a fierce sun. By way of background, at the time of writing, we are in the deeps of Summer where I live. Our daily temperatures have been in the area of 45 degrees Celsius. Our nights have been in the mid 20s until the wee hours of morning.

Still. It is what it is.

My mind took me once again to thoughts of the ocean, up in the sky. An unbroken blue ocean.

My first attempt to capture something of what I could see and feel went like this:

this ocean
is the sky above

I …

adrift
I am
no boat
no oar

just my hand
trailing
in the blue

Structure

I’m not a great one for poetic structures. Those who have read my work know that it’s rare for me to stray from free-verse. I get itchy and irritable if rhyme and form come too close to my writing place.

However.

One experiment with structure that I have much enjoyed over a period of perhaps two years has been to to write with a restriction. Seventeen syllables, to be precise.

Not haiku or haibun or or any variant of eastern poetry, simply my free verse with a seventeen syllable restriction.

The above piece of work has 25 syllables and is, to my mind, neither fish nor fowl. Too short to be a long piece. Too long to be a short.

The task then became one of iteration and reiteration to try to achieve the gist of the first take, above, in a seventeen syllable frame, and with an image that would enhance the words, while reflecting the inspiration.

The result is below. I can’t place a judgement on the adequacy of the work, but I find it helpful to unravel the thinking that led to the end point.

I hope you enjoy the process, too.

I trail blue

An ocean fit for a poem.

ocean

sky

adrift
I am

no boat
no oar

one hand
trailing
in blue

~

With thanks to Sally Cronin. An interview at the Smorgasbord Blog Magazine. Check it out. Great folk visit there..

 

https://youtube.com/watch?v=GAyRBqKk3hk%3Fversion%3D3%26rel%3D1%26fs%3D1%26autohide%3D2%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26wmode%3Dtransparent

Welcome to the first of a new season of Getting to Know You and my first guest for 2019 is Australian author Frank Prem who has recently released a collection of poems and short stories about his childhood – Small Town Kid. Hello Sally, and readers. I’ve been a storytelling poet for about forty years. […]

via Smorgasbord Blog Magazine – Sunday Interview – Getting to Know You with author Frank Prem #Australia — Smorgasbord Blog Magazine

to a plainsong/stationary

Another Australian Speculative Fiction Group photographic prompt to which I’ve written two responses.

This time, I’ve recorded them, without printed words. Nothing too sophisticated. Just the fun of recording new work to ‘try it out’. Clearly, to me, one piece is stronger. Both would probably shape up better with some work, and if ever considered for a ‘performance’, they’d get some polish in the 1 – 2 weeks beforehand.

Hope you enjoy the effort, regardless.

make it up monday 311218 (1)

to a plainsong

Stationary