How We Die on Quartz Ward – Short Prose

Something a little different today: short prose.

This Is How We Die short prose - Quartz Unit image
This Is How We Die – Quartz Unit image

Short Prose and a Writer’s Retreat

I’ve just returned from a week-long Writer’s Retreat in the Southern Highlands of New South Wales, at Mittagong. It was a marvellous experience, and I’ll share more about it another time. The story of why I decided to attend goes back a few years, to a previous retreat in Queensland that focused on short story writing.

That retreat took place just before Covid-19 struck (around 2020–2021) and it left me thinking that perhaps I should explore this prose caper a little, having avoided it until then. Since that time, I’ve tried a few approaches:

  • converting some of my more narrative poems into prose
  • writing new pieces directly in prose
  • writing short essay-style pieces with poetry excerpts included where they felt right

I learned something important in the process: I don’t seem able to sustain a story beyond about a thousand words. My natural range seems to be 500–1,000. Anything longer makes me twitch. I suspect this comes from years of disciplining myself to present my poems with the bare minimum of non-core content. Whatever the reason, the limitation is real — and it places me squarely in the micro-fiction / micro-non-fiction writing space.

I’ve written enough of these short pieces now that I’m thinking about collecting them into a book — likely my first and last such endeavour, though predictions are dangerous things.

One of the pieces, The Man Who Forgot His Nancies, even won a small prize along the way, which was encouraging.

Earlier this year I decided it was time for another retreat, so I searched for options — location, focus, format. I’m personally drawn to Masterclass-style retreats with tuition from experts in their field. The one that appealed was the Writers At The Woolshed Winter Retreat, held at The Hermitage in Mittagong, featuring authors Ashley Kalagian Blunt, Dr Lee Kofman, Dr Kerrie Davies and Dr Hayley Scrivenor.

I was fortunate to secure a place and joined seven fellow authors in classes led by Dr Lee Kofman, focusing on Mastering Narrative Pace through Show and Tell, with memoir emerging as a shared interest among participants.

Lee is a brilliant teacher, and my fellow writers were a wonderful group to work with. I enjoyed the week immensely.

To date, I don’t think I’ve posted any of my short prose here, and I feel I should, now. During the retreat I wrote four new pieces in response to exercises and prompts. One began life as a poem; the other three were prose from the outset. I’m sharing one of those today. It harks back to my time as a student psychiatric nurse, many years ago.

I’m unlikely to stray far from my home territory of free-verse poetry, but I’d be delighted to receive feedback if you feel inclined. I’ll link any posts I publish on the subject of short prose using this link: https://frankprem.com/category/short-prose/. This piece is just under 850 words.

Mayday Hills - Granite Staircase
Mayday Hills – Granite Staircase

How We Die On Quartz Ward

Quartz Ward is an old dinosaur. A two-story institutional monstrosity made with bricks made from the soil of the institution and granite cut from the surrounding countryside. It is the refractory ward home to thirty-eight long term residents considered intractable and untreatable.

The residents sleep upstairs in a dormitory reached by a narrow granite-block stairwell. The staff office is on the ground floor and the four staff on day shift meet the two staff working nights to receive a handover on the condition of the ward overnight and to share a coffee. Putting off the start of the day by half an hour.

The office is a small room which rapidly becomes overwarm and feels crowded, even in the short time it takes for the night nurse in charge to pronounce “all patients slept well.” Sometimes, the colloquial variation “Staff and patients all slept well” is used. Just for a laugh. It’s not a joke to tell out loud or in wrong company because some of the characters who work permanent night duty have day jobs as well, which is strictly frowned upon. Staff are not paid to sleep at nights. It is considered ‘active duty’, with rounds to check patients conducted every hour. Rumour has it, though, that if the nurse in charge of the whole hospital is doing a spot check at night to make sure staff are alert, the telephone rings in each ward in quick succession.

With handover finished, there is no excuse left, so staff wander off to attend their various tasks to prepare for the day and the most junior, which is me today, traipses up the steps to go around and gently or otherwise wake the sleeping patients and steer them towards the bathroom to get ready for the day.

“Oy, Freddy, are you awake yet?”

“G’day Jimmy. Come on, off you go.”

One by one they rise, stretch and fart, then wander to the bathroom to shower, leaving bedding in various states of tangle, perhaps soiled, one way or another. It is the junior nurses’ job to sort it all out.

Max hasn’t moved.

Max is middle-aged (whatever that means in a place like this), a chronic schizophrenic by diagnosis, mute and surly by disposition. He is someone to allow his personal space because the look in his eye and the prominence of his fisted knuckles don’t encourage close encounters. He consumes a truckload of Largactil every day, poured, as they say, with a trembling hand. He has an alcove to himself. No sharing.

“Good morning, Max. Wakey wakey.”

“Max…?”

Max is lying on his bed, naked but for an accidental modesty draping of his bedsheet. I have seen no movement. Not of his body responding to my voice, and not of his chest responding to the need to breathe.

Usually, the men on this ward will do their best to ignore staff, so the first call from the nurse — the first ‘wakey, wakey’ — will have them on their feet and moving without need of a further prompt. Often they will have been lying awake, sometimes in wet bedding, waiting for the call.

I touch Max’s foot, then his arm, finally his face. Cold. Max is as cold as he has ever been in his life. Ironic in the circumstances.

I probably should be hitting the alarm to summon assistance, commence first aid, get a response happening. Instead, I panic a little and do nothing for a while. Max is my first live corpse, so to speak. Then I go racing down the stairs to inform the nurse in charge.

The nurse in charge checks Max and confirms that it looks like he’s been dead for hours. Lividity at the base of the body can be seen and all that is required is to summon a medical officer to confirm death, arrange for transportation to the morgue and to complete the paperwork.

So, no drama but…

Never one to take things lying down (unless on nights himself) the nurse-in-charge swears a blue streak. He is not concerned that Max has died. Most likely that will turn out to be natural causes and more of an inconvenience than an issue. No, he is cursing the night staff who so obviously had not done hourly rounds to check the well-being of the patients, and who equally obviously had had a good night’s sleep themselves – just like the old joke.

That was going to take some explaining to the higher ups and make life difficult for all for a month. Maybe longer.

Later that morning Max commenced his final journey. Two strong staff had to manhandle him onto a stretcher, then around the bend in the stairwell, almost losing him on the way, first from one end, then the other, and once, almost rolling him off in the middle.

I watched the struggle and subsequent loading into the back of the food van that doubled as morgue vehicle in those days and thought my thoughts about life and death in Quartz Ward.

Don’t forget there have been recent new publications that you can check out.

I’ve recently scheduled several new poetry collections for publication, including the first books in the Joseph Campbell Interpreted series and the fourth volume in my natural disaster series – Closed For Now – dealing with the Covid-19 experience.

You can browse digital editions in my shop.

5 thoughts on “How We Die on Quartz Ward – Short Prose”

    1. Hi Mick. Thank you.

      I’ve set myself some new challenges with this, I think. Good fun to work with and work on, though.

    1. Hi Liz.

      Thank you. I think I’ve set myself up to do a lot of rewriting and, probably, a fair bit of new. I’ll post more when I get a chance.

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